Quilting denim – it's not as hard as you think
I've been making quilts from denim for a while now and I thought it was high time I shared some of my tips for quilting it. Denim has some quirks that are good to think about before you embark on quilting, especially as one of those quirks is that it can be a real pain to unpick if the quilting goes along the grain of the fabric.
First though, let's talk backing. Denim quilts are heavy, so think about the quilt's end use beforehand. If it's going to be a bed quilt, you might want to go with a really lightweight backing like a double gauze, a shot, lawn, or some other lightweight cotton. I've mostly backed mine with a fine Indian block-printed cotton.
The Blue Giant wall hanging backed with mud resist, block printed, indigo dyed cotton |
Now to quilting... I really love the effect of hand quilting on denim, but honestly, you have to be slightly nuts to do it. It's really hard on your hands, but I do believe the result is usually worth it. When I'm hand quilting denim, I use sashiko thread with a sashiko needle, a hard thimble on the middle finger of my right hand above the quilt (to push the needle through) and an adhesive thimble pad on the middle finger of my left hand, below the quilt so I can feel when to direct the needle back up.
The original Blue Giant quilt, all hand quilted. |
Now let's look at quilting on a domestic machine. The sample below, from left to right, shows thread in weights 50, 40, 28 and 12. The lines here are sewn running parallel, or along, the grain of the denim. The needles used were a 70 for the first two thread weights an 80 for the 28 weight and a 90 for the 12 weight. The thread in the bobbin was the same 40wt across all the samples. As you can see, the thread really disappears into the grain of the fabric when using the lighter weights.
Let's look a couple of other considerations...
This first pic shows what happens when you're quilting along the grain and then you swap to a quilting fabric and back to the denim. It also shows what happens when your seams are pressed towards the fabric. See that ridge running across the centre of the fabric section? That's the dip between the two half-inch seams – and yes you still get it on quarter inch seams (I sew the Blue Giant with half inch seams due to the piece sizes).
This next picture shows what happens when you sew from denim to fabric to denim when you're sewing across the grain of the denim. In this picture there is very little difference between the appearance of the thread on the two materials. This time, the seams are pressed open and there is no ridge across the middle of the fabric.
The lines were all quilted in the 12wt hot pink in the samples. The two, more horizontal lines shown below disappear into the quilt a bit (they're the ones going along the grain), but it's not so much that I'm concerned about it.
It's a variegated thread used here – a whole 2000 yards of it! – but that, and the pattern she's chosen, work really well with that tendency for denim to have the threads pop out or disappear depending on which direction you're sewing. Beth used a cotton wadding and a flannel on the back, but I'll let you head over to her feed to keep an eye out for a full reveal... Don't want to spoil that one!
So, now to the Laid Back quilt. Here, I used that same pink 12wt thread going along the grain of the fabric. If I'd kept stitching from the denim over into the normal quilting fabric, the stitching would have looked very different on the two types of fabric. To avoid that, I had two choices. The first would have been to quilt a horizontal pattern on this quilt or the second, and the option I chose, was to quilt the fabric sections differently. The reasons I didn't horizontally quilt this are first, that the seams are pressed towards the fabric in this quilt (it's to do with avoiding bulk at those two cross-quilt seams) and the second is that I just liked the idea of echoing the vertical lines of the piecing.
Luckily for you (and me), my pattern tester Katy (@whatkatydid_handmade) took a completely different approach to quilting this one, and one that I would never attempt – free-motion on the long arm. Katy told me she would have preferred to use something heavier than 40wt to quilt her Laid Back quilt, but with lockdown, travel restrictions and a tester deadline, beggars can't be choosers! As you can see Katy anchored her panels with a 1/4" seam and then she did a range of free-form patterns, that were different on each denim panel.